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Ever since he was a kid, Johnny Castle had a dream: to become a movie star. Driven by his obsession, Johnny moved to Los Angeles, and the corner of Hollywood and Vine Boulevards became his natural stage on which to promote himself. Johnny is absolutely convinced that some day a producer or a director will sign him for their next movie. Even though Johnny has this optimistic way of looking at life, in the three years since his move to Los Angeles he has only been able to get a small part in a science fiction B-movie. Very soon the movie will debut in the theaters, and Johnny wants to show the result of his work to his father, who lives in Chicago. He obtains a preview DVD copy of the movie from the director so that he'll be able to present it to his dad as a wonderful birthday surprise.

When Ethan arrives at the airport just in time to declare his undying love for his girlfriend, love appears to have conquered all. The scene, however, is really the ending of Ethan's novel, which his agent calls "unrealistic." Ethan soon meets a waitress, Jesse, and falls in love with her despite her growing devotion to Troy, a charming businessman. But the line between reality and fiction becomes increasingly blurred.

A man tries to find a son he gave up for adoption years ago.

Framed for two crimes he didn't commit, and betrayed by his girl, Cliff Banks finds himself on the run from the police. Now distrustful of everyone, he finds a safe haven hiding out at a quaint country cottage under the care of a kindly old farmer and his daughter, a Cinderella-like blind woman who seems to be able to communicate with nature. There he is forced by their love to question his misanthropy.

The Red Rocks amphitheater in Colorado provides the awe-inspiring backdrop for Rob Thomas in one of the most memorable stops on his Something to Be tour, featuring the multi-platinum recording artist performing hits from both Matchbox Twenty and his solo career.

After Billy's parents are killed he moves home to care for his little brother Johnny, who is mentally challenged. Together the two struggle through the loss of their parents. Meanwhile, Billy's best friend from childhood, Dean, has moved back to town having been injured from the war in Iraq. Over time, Billy's childhood feelings toward Dean resurface, feelings that he fears may end their friendship if discovered. Both men discover hidden secrets that will change their lives forever. These three people must come together to rebuild friendships and family in a time where everything in their world seems unsure. Written by Jeff London

This animated fairy tale for kids tells the classic story of Peter Pan, the boy who never grew up. Determined never to become an adult, Peter stays forever young in a magical word called Neverland, where he leads a band of mischevious kids called the Lost Boys. Unfortunately, Neverland's chief other inhabitant is a pirate named Captain Hook, who would like nothing more than to put a permanent end to Peter's fun.

Two Mexican outlaws, Rio and Esqueda, raised as stepbrothers, have a showdown over the issue of whether to evict new settlers from their Texas border territory.

An independent producer unwisely opens a can of worms after he decides to make a movie about the unsolved murder of a famous silent film director.

A man arrives in the city upon news of a potential terrorist strike in Italy. He is Japanese foreign diplomat, Kosaku Kuroda, and he’s here under orders of his supervisor at the Foreign Ministry, Hiroshi Kataoka (Kiichi Nakai), to aid in the safeguarding of Japanese citizens. Kuroda’s main contacts at the Japanese embassy consist of Ambassador Kikuhara, Counselor Nishino, and fellow diplomatic envoys Haba and Tanimoto. All are busy preparing for the visit of Japanese Foreign Minister Kawagoe due to arrive for the high-profile G8 foreign minister’s meeting. Meanwhile, somewhere on the festively-lit streets of the city, a young Japanese girl has suddenly gone missing. Is it an abduction simply for ransom? Or could it be a prelude to terror?

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

In the Canadian mountains, a trapper goes on the run accused of a crime and is pursued by a rugged and determined lawman of the Royal North-West Mounted Police.