ภาพยนตร์

Based on British Columbia's 'highway of tears' The Wolf of Waubamik Woods follows the story of a young first nations woman hitchhiking across Northern Canada who is picked up by a nice man that gives her money for a bus and a place to stay until it comes. They have lunch and talk and go for a walk to a lookout point only to discover that the woods may not be the safest place to be with a stranger.

This short documentary films some of the wild animal species that have adapted to the city of Vancouver, from the familiar pigeons and starlings to the less familiar herons nesting in Stanley Park and a coyote in a farmer's field.

Murcia, Spain, 2016. An eccentric and humorous journey, on the shoulders of ironic giants, in the search of the most enigmatic places of this Spanish region: considering different hypotheses, the possibility of the existence of pyramidal structures is investigated, crossing sometimes the border of the chimerical and exploring beyond the limits that were previously considered impassable.

Originally working with super 8 animation pieces, Noshioka switches on to video-making from 1991. From time control with frame shooting to gaze fix with live action filming, her technology and texture change greatly. This first work in video indeed straightforwardly defines the relationship between "living space" and "physicality". Through repetition of thundering and quietude, the power of Nishioka's pure solitude and intense observation turn and reshape the warmhearted town of Osaka into something hard and inorganic. The adherence to a suddenly rising unrealistic and gigantic vapor pillar, the ever-turning ventilation fan and the ever-watching eye – All of these are ways to love Osaka permissible only to this filmmaker.

Ada is 19. She agrees to have dinner at the home of a boy she knows. It all happens very quickly, she does not defend herself. It is in 2013, after a screening of her first film, that Alexe Poukine meets her: a woman of her age who shares with her something that happened nine years before and that she does not know what to do with.

In Myanmar, a young soldier named Jai and other Shan people wrestle with disenfranchisement and disillusionment in a land where they lack basic rights.

The piece is dedicated to Fukuoka filmmaker Yoshio Fukuma, who was a very good friend of Sakurai's. Making good use of bulb shooting – extended exposure – which was Fukuma's specialty, responding to the light and shadow of water and fire, the moon and the sun, Sakurai traces the historic spots of Kyoto, his living ground. Contradicting with the glorious music, the view is a total lamentation and can be taken as a requiem toward the sudden loss of Yoshio Fukuma. With no after-treatments, this non-edited shooting creates a complete harmony of distinguished camerawork and solid lyricism, offering full satisfaction for Sakurai's original and extraordinary talent.

Almost 50 years ago, women and men all over the word dreamed of changing the world. What is left today of the expectations and the hopes of the people that flooded the streets? Not much, unfortunately. The filmmaker examines episodes from his own life, trying to understand how they fit—if they do at all—with the major changes of the world that hint all at a catastrophe in the waiting.

Produced by Warner Brothers as one of the extras to the DVD release of MR. SKEFFINGTON (1944), this short documentary has a variety of talking heads describing the origins and impact of the film on its original release, as well as explaining how and why its appeal has lasted so long.

The first love, the forgotton love, and the secret desire. 13-year-old Line seems surrounded by kisses, but all with a very different meaning...

Rebels without a cause in a globalized world. Kevin, David and Dominik, three troubled teenagers who were deemed too difficult to be “re-educated” at home, are shipped off to Romania by the German authorities. There, they live with local families while hoping to go back to Germany as soon as possible. Exiled from their previous lives and country, they try to adapt as well as possible to their new environment.

The dead want the red in ZOMBIE LUST: NIGHT FLESH, the 6th skin-ripping offering from FULL MOON'S BUNKER OF BLOOD! This time, we follow The Gore Collector, Molly, and Tape Head as they make their way to the "Desert of Despair" to finally confront the dreaded "Circle of Psycho Surgeons". Deep within the Psycho Surgeons' ruined lair, the trio find themselves in the very same horror hospital that The Gore Collector previously escaped from...but they're not alone! Under the crimson glow of the blood-red desert moon, flesh-eating creatures that now inhabit the structure crawl out, intent on satisfying their unholy urges. Will our heroes escape? SHOULD they escape?