ภาพยนตร์

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

The police mobilize their resources to capture Nenê Bandalho and, while he tries to escape, he remembers some of his life's most important episodes.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

Over fifty of the greatest living comedians are called to a party at Bob Hope's house, where each of them is systematically killed (and their bodies thrown in Hope's pool!). Hope and the rapidly shrinking cast try to discover who is the mysterious killer known only as "Joys."

Saban, Ramazan and Bayram are sailors in an Ottoman Navy and Hüsamettin is their commander. Hüsamettin's aide Ramazan, Saban who is foster son of Hüsamettin's sister and Bayram who is married to Hüsamettin's niece stays at Hüsamettin's family residence. Hüsamettin's sister thinks Ramazan is her foster son Saban when she realizes her mistake she introduces Ramazan to her brother as her son in law Bayram since she was afraid of Hüsamettin's short-tempered character. Things get complicated when real Saban and Bayram come to the residence. Now Saban has to be Ramazan and Bayram has to be Saban. Meanwhile, a gulyabani (a ghoul from Turkish folklore) haunts the residence.

An accidental overdose of gamma radiation causes a mutation in scientist David Banner's DNA: now whenever he becomes angry, he metamorphoses into a seven-foot-tall, 330-pound, mindless muscular green creature.

The first Yugoslav Partisan air force unit. Loosely based on historical facts.

Marisa Salinas gets her first job at one of the top publishing companies of her country. Don Ricardo Arencibia, her boss, is a man who does not appreciate innovation and new proposals from the staff, but enjoys bloody crime stories, and beautiful women. Don Ricardo invites Marisa out for dinner; they start behind friends and, soon, they start a sexual relationship. All goes well - safe for a little mystery that envelops Ricardo's ex-wife. Marisa decides to investigate... and she will uncover much more than she expected: Ricardo had been trying to make Marisa look like his former wife, and there is a plot involving large scale corruption.