ภาพยนตร์

The story of a philanderer behind the wheel of a cab, who gets into a series of hilarious but also adventurous situations, was based on the actual experiences of Berlin cab drivers. It is an entertaining portrayal of how the main protagonist, Eddy, is to be cleverly dissuaded from his dashing bachelor life. Gaby and her grandpa come up with a few ideas. This is necessary, because Eddy may be a proper cab driver, but in his private life he knows no rules when it comes to winning over pretty girls.

Tells the story of the earliest period in Swedish cinema.

The third film by award winning Burmese filmmaker Maung Wunna.

A virtuous young woman becomes the target of the schemes of an amoral womanizer who is in the habit of wooing women and killing their lovers and husbands in duels. When she finally succumbs to him, she discovers his true nature, and her newly awakened joy in passion turns to dust.

On the Road: 1971–72 is a documentary film about Ike & Tina Turner.[1] The footage was assembled by rock photographer Bob Gruen and his wife Nadya. The film was released in 2012 and won the 2014 Living Blues Award for Best Blues DVD of 2013.

Pinku from 1972.

The story of the conception of a new British weapon for smashing the German dams in the Ruhr industrial complex and the execution of the raid by 617 Squadron 'The Dam Busters'.

Spring, 1945. Sasha, who lost her parents, goes to the village of Vyselki to find her aunt there. Her last hope for the existence of a loved one does not come true. But acquaintance with ordinary residents of the village, an unexpected love for the forester and a first feeling of joy from the necessary work return the girl the thirst for life.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

A behind the scenes look at the filming of the movie Shaft (1971). The movie's director, Gordon Parks is seen directing a couple of fight scenes which he wants to get in as few takes as possible due to the set-up time and the danger involved in the stunt work. He is also seen speaking to the composer of the film score, 'Isaac Hayes', about the overlaying of the music over one of those fight scenes, and what he wants musically for another scene involving the lead character, John Shaft, moving through Times Square. The latter would eventually become the movie's iconic theme music. Being a frenetically paced action movie, he also works closely with the film's editor, Hugh A. Robertson.