ภาพยนตร์

Her name is Shpresa, which means Hope in the Albanian language. Shpresa, tells a story of hope during war time, as she saves both of her brothers from captivity in enemy camps.

An experimental yet touching short documentary, centered around the director's grandma, and her enchanting battle with stage one Alzheimers Disease. Packed with an according soundtrack, and background on Lokja's dearest memories, the film strives to show the beauty in our past, present and future, and the appreciation for it that we may lack, until it's too late for reflection.

Sandekala is like a slender man who turns into wewe gombel. "Kasareupnakeun" is proof that child sacrifice is real. According to experts, the slender man is a very famous child kidnapper ghost in Germany. This MV does not describe a slender man, but Wewe Gombel's subordinates who are ready to face the threat of a shaman. Once again, he transformed into wewe gombel in the land of Padjadjaran.

After the quarantine a group of youngsters rejoin in a pub.

About the restoration of a cement plant destroyed during the Civil War.

Saving people from drowning, life and the true perception of the flowing of time like the river Drini, reflected by a 96 year old man.

Štefanija spends her days working a repetitive job in a small, cramped space. Behind the glass, tobacco shop workers are almost invisible to the buyers and the passers-by, although their jobs are an essential part of urban everyday life. Using hybrid form and stylization, the film depicts the working conditions in tobacco shops from the worker’s perspective.

During the period of One-Child Policy, Peng, an illegally pregnant mother escapes from her home to avoid getting arrested by the family planning committee and being forced to have an abortion. After escaping, Peng begins her solitary journey to hide from the government's ruthless members and survives along the vast wilderness in Guizhou Province.

An Illusion thriller.

Experimental film by Ricardo González shot during quarantine.

a Desert spirit who sees the past of human memories on each path in the desert.

When it left, death didn't even close our eyes centers on the testimonies of laborers working in Kosovo’s construction industry. They attest to how this precarious and unregulated labor market has serious human costs to those that have to seek its employment. Speaking of how they are expected to work hours—from 12, 13, 15, even up to 24 hours—and in conditions far beyond prescribed regulations or normal human expectations. One of the primary consequences is a high rate of injury, which then precludes future work in the industry—some workers even admit that they would rather face death than lose the ability to earn a living.