ภาพยนตร์

Five doctors go camping in the remote woods of Northern Ontario. When their boots are stolen they begin to suspect they are being stalked.

Following her successful prison break, Scorpion begins this third episode in the series hiding out in a brothel. Her prostitute friend tries to keep her identity secret, but the brothel's madam discovers that Scorpion is the ex-girlfriend of the vice officer who killed her lover.

Eddy's parents were murdered by a gang when he was a child so he grows up to be a martial arts fighter. His skills come in handy when his girlfriend is kidnapped and held for ransom.

In post-Civil War Kentucky, young David Burnic becomes the unexpected heir to the family secret, a map leading to buried treasure on the Florida isle of Matecumbe.

Bayaludaari is a 1976 Indian Kannada-language film directed and produced by the Dorai–Bhagavan duo. It is based on the novel of the same name by Bharathi Sutha. This was the first movie of the director duo without Dr. Rajkumar in the lead. The film starred Anant Nag, Kalpana, and K. S. Ashwath. It was a musical blockbuster with all the songs composed by Rajan–Nagendra considered evergreen hits. Bayalu Daari was the first commercial success for Anant Nag who had earlier done art films and established himself as a leading star in the Kannada cinema with a chocolate hero image. This film was one the last big hits of Kalpana. The helicopter scenes formed a major highlight of the movie.

Between fiction and documentary, this film shows a portrait of the persona of a transsexual that goes far beyond simplistic voyeurism. The film offers a respectful image of masculine sexuality, with a character ahead of its time, through the telling of Betty about his childhood, daily life, pleasure, self-esteem and social marginalization.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.

István Szabó reveals a lesser-known side to the public in this work, which strings together eight shorts of Budapest into a single movie. In the piece interpretable as a declaration of love addressed to the capital there are numerous motifs that are also to be found woven through the director’s major features, first and foremost Szerelmesfilm (Love Film), Tűzoltó utca 25. (25 Fireman’s Street) and Budapesti mesék (Budapest Tales). Besides allowing the viewer to marvel at the cityscape from 50 years ago in a series of fast-moving images, the film is still primarily about Szabó’s Budapest: his observations, his impressions, his imagination.

Two siblings who have lost their parents try to continue their lives by drawing strength from each other.

Vampire Caleb Croft has awakened from his unholy slumber -- with an insatiable lust for blood and the pleasures of the flesh.