ภาพยนตร์

Leonid Komkov, despite his lack of experience, is obsessed with becoming a helmsman on a riverboat.

After an extensive immersion work on abandoned childhood, Ciro Durán presents, from his point of view, the life of street children, who have broken all family ties and have regrouped to survive in the concrete jungle.

Film by Latif Faiziyev

A young man, who is a doctor, returns home when he hears that his father, the mayor, has been murdered. He begins to investigate who killed his father, his only thought was to avenge.

A moody, pastoral sci-fi tale about Stella Superstar and her travels across the universe. Vaseline around the camera lens and other early cinema techniques turn it into something truly beautiful.

A poitín (moonshine) maker attempts to avoid the attentions of the Gardaí (police) in Connemara in the west of Ireland.

Everyday when General Xiao and his men ride through the Imperial City, inhabitants have to scatter around in order to keep out of their path. One day when Lei plans to assassinate Xiao but gets hurt, another three fighters He, Jiao and Feng come out boldly to help him out. With the help of Zhu, a cook, He succeeds to escape whereas the other three are seized. Later on, He acquaints himself with the girl Gui. Along with another two girls, Hai and Jiang, these eight youngsters are the descendants of the late patriotic generals, who have been recently murdered. Gui suspects that Hai and Jiang are controlled by Xiao and sneaks into his manor. She meets the girls successfully, but she is seized. When Wan, Xiao's butler, urges his master to kill Hai and Jiang, Jiang overhears their conversation and tries to rescue all her friends. At last, the eight are united and try their best to fight against General Xiao and his men.

Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies, black-and-white videotape and photographs that have been colorized, synthesized or otherwise visually transformed in an electronic mediation by the artist. The viewer is witness to the spontaneous activities and conversations of the family's quotidian home life, which is accompanied by Carol Emshwiller's ironic, often poetic commentary. In one sequence of home movies, the children are seen "growing" over a span of twenty years. Using the video camera as a kind of psychological mirror, Emshwiller integrates video's intimacy, reflexivity and realism with its "unreal" technological manipulations to form what the artist describes as a "documentary/video art transformation of self-revealing images."

Soldier Corporal Gvozdev is in his last year of service, fulfilling his military duties and having fun in his free time

In a bus travelling to Mashhad few people and a prisoner are together. But when the prisoner manage to escape and hold them hostages they all trapped in the middle of a desert and must try to save their life.

A short sexploitation film involving a psychiatrist and his female patient.