ภาพยนตร์

With the help of his girlfriend Cathy and Dr. Fong, a psychiatrist, ambitious journalist Johnny Barrett poses as a madman in order to be admitted to a mental institution where a bloody murder has been committed.

A tough prosecutor is falsely accused of theft and goes on the run to clear his name. He is assisted by the beautiful daughter of a rich man.

Gummadi leaves his young son, Raja, and daughter, Shanti, to fend for themselves after the death of his wife. Raja takes care of his little sister while vowing to find his father.

An old tea-house attendant told a VGIK student about how in the winter of forty-one, when the fascists were approaching Moscow, he was among those who were assigned to guard the train with apples, which the collective farmers of Uzbekistan sent to the front. The old man's story was so touching and entertaining that Anwar doubted the authenticity of the story. The teahouse did not convince the guy and said goodbye to the student. Later, while picking up material from the military chronicle for his film, Anwar saw on the screen the familiar face of a teahouse and fighters guarding frozen apples. Remembering an unsaid episode of the war, the student went to meet his hero...

Cowardly rogue Harry Flashman's (Malcolm McDowell) schemes to gain entry to the royal circles of 19th-century Europe go nowhere until he meets a pair of devious nobles with their own agenda. At their urging, Flashman agrees to re-create himself as a bogus Prussian nobleman to woo a beautiful duchess. But the half-baked plan quickly comes unraveled, and he's soon on the run from several new enemies who are all calling for the rapscallion's head.

The film deals with levels of reproduction. The repetitious camera movements over successive photographs are intended to function as distancing devices relatable to mechanical repetitions such as film loops. The 'subject' of the film is the material operation or, rather, it is a film in its own right and an explication of the mechanisms and technique inherent in its making. It is not a documentary of those mechanisms and techniques. Film as anonymous production, wherein (exhaustively) certain techniques are utilized, does combat with film that represents the (absent) subject, the filmmaker (forever repressed ever-present, ever-represented). Film as presentation, not re-presentation.

An outspoken boy and a gunfighter-pimp save a drifter's life from hanging. The boy's uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter's promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy's inheritance -which turns out not to be as useless as it first appears.

Television programming takes it on the chin in this ribald spoof of the networks.

A superficial woman finds conflict choosing between her abusive husband and her vain lover.

Police are chasing him for a murder, so man breaks into an expensive home and takes husband and wife hostage. The bloodshed continues...

The residents of a suburban high-rise apartment building are infected by parasites that turn them into mindless nymphomaniac fiends.